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1 draw
dro: 1. past tense - drew; verb1) (to make a picture or pictures (of), usually with a pencil, crayons etc: During his stay in hospital he drew a great deal; Shall I draw a cow?) tegne2) (to pull along, out or towards oneself: She drew the child towards her; He drew a gun suddenly and fired; All water had to be drawn from a well; The cart was drawn by a pony.) trekke, dra3) (to move (towards or away from someone or something): The car drew away from the kerb; Christmas is drawing closer.) dra, nærme seg, fjerne seg4) (to play (a game) in which neither side wins: The match was drawn / We drew at 1-1.) spille uavgjort5) (to obtain (money) from a fund, bank etc: to draw a pension / an allowance.) få utbetalt, heve6) (to open or close (curtains).) trekke for/fra7) (to attract: She was trying to draw my attention to something.) trekke til seg oppmerksomhet2. noun1) (a drawn game: The match ended in a draw.) uavgjort spill/kamp2) (an attraction: The acrobats' act should be a real draw.) attraksjon, trekkplaster3) (the selecting of winning tickets in a raffle, lottery etc: a prize draw.) trekning4) (an act of drawing, especially a gun: He's quick on the draw.)•- drawing- drawn
- drawback
- drawbridge
- drawing-pin
- drawstring
- draw a blank
- draw a conclusion from
- draw in
- draw the line
- draw/cast lots
- draw off
- draw on1
- draw on2
- draw out
- draw up
- long drawn outbeskrive--------dra--------drag--------hale--------trekk--------trekkeIsubst. \/drɔː\/1) trekk, trekning2) ( hverdagslig) attraksjon, trekkplaster3) ( teater) kassastykke4) trekk, fangst, utbytte, gevinst5) ( på sigarett e.l.) blås, drag6) (bro)klaff, forklaring: bevegelig del av klaffebro7) loddtrekning, (ut)trekning, utlodning, lotteri8) resultat av loddtrekning, resultat av (ut)trekning, resultat av utlodning9) ( sport) uavgjort kamp, uavgjort konkurransedet endte\/ble uavgjortbe a great draw trekke mye folkhan var raskest på avtrekkeren \/ han skjøt førstII1) dra, trekke, trekke til seg2) føre, lede3) flytte, slepe4) fortrekke5) trekke for, trekke ned, trekke fra, trekke opp, trekke til siden, trekke unna, trekke uttrekke for\/ned\/fra en gardin6) stramme(s) til, strekkes7) tegne8) ( overført) skildre9) spenne10) puste dypt inn11) dra til seg, tiltrekke (seg)• draw large crowds\/audiences12) lokke, få13) føre med seg, føre til, medføre, avstedkomme14) luke i15) rense (frø e.l.)16) ta ut innvollene, ta ut innmaten17) tappe, tømme, tørre ut, suge ut18) pumpe, tappe (av), samle opp19) (spill, lotteri) trekke20) få gjennom loddtrekning, slumpe til å få• the game \/ match was drawnkampen endte uavgjort \/ det ble uavgjort23) ta, få, hente, låne (stoff)24) utlede, trekke ut25) trekke skille mellom, skjelne mellom26) presse frem, lokke frem, fremkalle, vekke, lokke noe ut av noen27) ( hverdagslig) få til å uttale seg, lokke til å gi opplysninger, pumpe, provoserehan ville ikke ut med noe \/ han lot seg ikke pumpe\/provosere28) tjene, få utbetalt, heve, ta ut, få utlevert, innkassere• draw (a salary of) £4500 a month• draw a bill\/cheque\/draft on somebody30) ( også overført) trekke ut, gjøre lengre, strekke ut, tøye ut, forlenge31) sette opp, opprette, skrive (dokument)33) trekke35) ha tiltrekningskraft, trekke37) trekke seg, bevege seg39) samles, stimle sammendraw a comparison sammenligne med, trekke sammenligninger mellomdraw a line trekke en grensedraw aside trekke (seg) unna, trekke (seg) til sidedraw away trekke (seg) tilbake, trekke (seg) unnadraw back trekke (seg) tilbake, trekke (seg) unna få tilbakedraw by trekke til siden gå mot slutten, lakke, lidraw down forårsake, medføre, fremkalletjene, fådraw down (up)on oneself pådra seg (noens vrede e.l.)draw for trekke lodd omdraw forth trekke frem, dra frem fremkalle, lokke frem, vekkedraw in dra\/trekke inn, dra opp, ta opplokke, narrekjøre inn til siden, stanse bli forsiktigere (med penger e.l.)innskrenke seg (strikking, også draw) ta inn, felle ( om dag) gå mot kveld, gå mot slutten ( om dager) bli korteredraw into kjøre inn pådraw it mild ( hverdagslig) ta det pent, ta det rolig, moderere uttrykkenedraw near nærme seg, komme nærmeredraw off trekke (seg) tilbakeavlede, trekke borttappe (av), tappe opp, tømmetrekke ut (ved destillering e.l.)draw off from forlate, sviktedraw on\/against trekke blankt mot lokke etter seg, lokke frem, provoserefremkalle, føre til ( i roing e.l.) vinne over noen ( handel) trassere, trekke på ( overført) trekke veksler på, utnytte, støtte seg til, benytte, ty tilnærme seg, være i anmarsjdraw one's chair up to the table trekke\/flytte stolen nærmere\/bort til bordetdraw oneself up rette ryggen, rette seg opp, strekke på segdraw out dra ut, trekke ut trekke ut, hale ut, forlengelokke frem, kalle på( hverdagslig) få noen til å uttale seg, få noen på gli, pumpe noensette opp, tegne( om dager) bli lengre ( militærvesen) stille oppdraw out from\/of kjøre ut fra, forlatedraw round samle seg, komme nærmeredraw somebody's attention to... gjøre noen oppmerksom på, henlede noens oppmerksomhet motdraw to trekke fordraw together trekke sammen, dra sammen komme hverandre nærmeredraw up dra opp, trekke opp holde an( militærvesen) stille (seg) opp avfatte, utarbeide, utferdige, sette opp• draw up a document\/programmestanse, stoppe( om (teater)teppe) gå opp vinne på konkurrent, få forsprang rette seg oppdraw upon\/on bringe over seg, pådra segdraw up with komme opp på siden av, være jevnbyrdig med, være på høyde med -
2 draw
draw [drɔ:]a. ( = pull) [+ object] tirerb. ( = pull behind) tracterc. ( = extract) [+ cork] enlevere. [+ pension, salary] toucherf. ( = attract) [+ attention, customer, crowd] attirerg. [+ picture] dessiner ; [+ plan, line, circle] tracer• I draw the line at cheating (inf) (myself) je n'irai pas jusqu'à tricher ; (in others) je n'admets pas que l'on tricheh. ( = bring) to draw sth to a close mettre fin à qchi. ( = make) [+ conclusion] tirer ; [+ comparison, parallel, distinction] établirj. ( = cause to speak) he would not be drawn on the matter il a refusé de parler de cette affairea. ( = move) to draw to one side s'écarterc. ( = do drawing) dessiner3. nounc. ( = attraction) attraction fd. to be quick on the draw [gunman] dégainer vite[people] s'écarter[+ person] prendre à parta. [person] s'écarter ; [car] s'éloignerb. ( = move ahead) [runner, racehorse] se détacher( = move backwards) reculer[+ person] faire reculer ; [+ object, one's hand] retirer► draw ina. [+ air] aspirerb. [+ crowds] attirerc. ( = pull in) rentrer► draw on[time] avancer► draw out( = become longer) the days are drawing out les jours rallongenta. ( = bring out) [+ handkerchief, purse] sortir ( from de ) ; [+ money] (from bank) retirer ( from à, de ) ; [+ secret] soutirer ( from à)b. ( = prolong) prolonger► draw upa. [+ chair] approcher• to draw o.s. up to one's full height se dresser de toute sa hauteurb. [+ inventory, list] dresser ; [+ contract, agreement] établir ; [+ plan] élaborer ; [+ report] rédiger* * *[drɔː] 1.1) Games tirage m (au sort)2) Sport match m nulit was a draw — ( in race) ils sont arrivés ex aequo
3) ( attraction) attraction f2.1) lit faire [picture, plan]; dessiner [person, object]; tracer [line]2) fig dépeindre [character, picture]; faire [comparison]3) ( pull) [animal, engine] tirer; [machine, suction] aspirerto be drawn from — [energy, information] provenir de
5) ( cause to talk) faire parler [person] (about, on de)to draw something from ou out of somebody — obtenir quelque chose de quelqu'un [information]; arracher quelque chose à quelqu'un [truth, smile]
6) ( attract) attirer [crowd] (to vers); susciter [reaction]to draw somebody into — mêler quelqu'un à [conversation]; entraîner quelqu'un dans [argument, battle]
8) Games, Sport tirer [quelque chose] au sort [ticket]3.1) ( make picture) dessiner2) ( move)to draw ahead (of something/somebody) — lit gagner du terrain (sur quelque chose/quelqu'un); fig prendre de l'avance (sur quelque chose/quelqu'un)
to draw alongside — [boat] accoster
to draw close ou near — [time] approcher
to draw into — [bus] arriver à [station]
to draw over — [vehicle] ( stop) se ranger; ( still moving) se rabattre vers le bas-côté
to draw round ou around — se rassembler
to draw to a close ou an end — [day, event] toucher à sa fin
3) ( in match) faire match nul4) ( choose at random)5) [tea] infuser•Phrasal Verbs:- draw in- draw off- draw on- draw out- draw up••to be quick/slow on the draw — (colloq) ( in understanding) avoir l'esprit vif/lent; ( in replying) avoir/ne pas avoir la repartie facile; [cowboy] dégainer/ne pas dégainer vite
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3 draw
I 1. I1) rubber draws резина тянется; I like shoes that draw я люблю эластичную обувь; the sails drew паруса надулись2) a chimney must draw труба должна тянуть /обладать тягой/: this chimney won't draw в этой трубе нет тяги; the pump is drawing насос [хорошо] качает /работает/3) let the tea draw пусть чай настоится; in this jug herbs are drawing в этом кувшине настаиваются травы4) the two teams drew команды сыграли вничью; if we draw если у нас будет ничья; play to win, not to draw играй, чтобы выиграть, ничья не нужна; the match has drawn матч окончился с ничейным результатом2. II1) draw in some manner the cart draws easily эту телегу легко тянуть; the sledge drew slowly санки медленно катились; such a tooth draws easily такой зуб легко удалить /вырвать/; draw somewhere draw near (nearer, close, etc.) приближаться, придвигаться или подходить и т.д..; when he drew near когда он приблизился; draw aside /to one side/ отступать, отодвигаться; отойти в сторону /посторониться/; as time draws near (er) по мере тоге,.как приближается /наступает/ назначенный срок || (as) her time draws near (по мере того, как) приближается ее время /срок/ [рожать]2) draw in some manner this chimney draws badly эта труба плохо тянет; this cigar does not draw well эта сигара плохо курится3) draw at some time this speaker (such a play, etc.) always draws этот оратор и т.д. всегда собирает большую аудиторию; draw in some manner the play draws /is drawlog/ well эта пьеса делает хорошие сборы4) draw in some manner tea draws wen when covered если чай накрыть /укутать/, он хорошо настаивается3. III1) draw smth. draw a train (a wagon, a cart, etc.) тянуть /тащить/ железнодорожный состав и т.д..: draw a chair (a bench, a table, etc.) пододвигать стул и т.д.., draw the blinds (the curtains) задергивать или открывать шторы (занавеси)2) draw smth. draw a rope (a string, a thread, etc.) вытягивать /расправлять/ канат и т.д..; draw a wire а) тянуть проволоку; б) вытягивать проволоку; draw a bow натягивать лук; draw reins (a bridle, a bit, etc.) натягивать вожжи и т.д.3) draw smth. draw a cork (a nail, a hook, etc.) вытаскивать пробку и т.д..; draw a tooth выдергивать зуб; draw a pistol (a knife, a sword, etc.) выхватывать /вытаскивать/ пистолет и т.д.4) draw smth. draw coal извлекать /добывать/ уголь || draw blood пустить или оттянуть кровь; cups (pultices) draw blood банки (компрессы) оттягивают кровь; leeches draw blood пиявки отсасывают кровь5) draw smb., smth. draw a chicken (a duck, the bird, etc.) потрошить курицу и т.д..; draw an abscess вытягивать гной6) || draw a (smb.'s) bath налить (для кого-л.) ванну7) draw smth. draw one's pay (a salary, supplies, rations, a prize, 5 per cent interest, etc.) получать зарплату и т.д. draw profit извлекать /получать/ прибыль8) draw smth. draw lots тянуть жребий: draw a card вытаскивать /вытягивать/ карту [из колоды]; draw a winner (a winning number, etc.) вытащить билет и т.д.., на который пал выигрыш; draw a blank а) вытянуть пустой номер; б) ничего не добиться || draw a prison term coll. получить /заработать, "схлопотать"/ срок [тюремного заключения]9) draw smth. draw a deep breath сделать глубокий вдох; he stopped to draw breath он остановился, чтобы перевести дыхание; draw one's last breath умереть, испустить дух; draw one's first breath сделать первый вдох, родиться; draw a sigh вздохнуть10) draw smb., smth. draw a crowd (a large audience, etc.) собирать толпу и т.д..; draw a full house делать полный сбор; draw the bees (the butterflies, etc.) привлекать /притягивать/ пчел и т.д.., the bright flower drew her eye яркий цветок привлек ее внимание11) draw smth. draw applause (a sigh, tears, etc.) вызывать аплодисменты и т.д..; draw great consequences повлечь за собой серьезные последствия; draw trumps заставить [кого-л.] ходить с козыря; draw the enemy's fire вызывать огонь противника12) draw smth. draw tea (herbs) настаивать чай (травы)13) draw smth. draw a game сыграть [игру] вничью14) || draw so much water naut. иметь определенную осадку; the ship draws ten feet of water этот корабль имеет осадку в десять футов4. IVdraw smth. in some manner1) draw a cart heavily с трудом тащить повозку; quickly draw the curtains быстро задернуть занавески2) he quickly drew his gun он быстро выхватил пистолет3) draw one's pay regularly регулярно получать зарплату4) this joke regularly draws applause эта шутка всегда вызывает аплодисменты5. V|| draw smb. a bath налить /приготовить/ кому-л. ванну6. VIdraw smth. to some state1) draw a string (a net, a belt, etc.) tighter) затянуть /подтянуть/ веревку и т.д. потуже2) draw a well dry выкачивать /осушать/ колодец7. XI1) be drawn by smb. a carriage was drawn by horses карету тянули /везли/ лошади2) be (feel) drawn to smb., smth. I felt (was) drawn to her меня тянуло /я испытывал влечение/ к ней3) be drawn the match was drawn матч окончился вничью; the battle was drawn бой не дал перевеса ни той, ни другой стороне8. XVI1) draw to (into, etc.) smth. draw to the wall отступать /отодвигаться, отходить, пятиться/ [назад] к стене; I want, you to draw closer to the fire я хочу, чтобы вы пододвинулись к камину /подвинулись ближе к огню/; the train draws into the station поезд подходит к перрону /прибывает/; snails draw into their shells улитки прячутся в свои ракушки; draw along smth. a curtain draws freely along the wire занавес легко скользит по проволоке: draw round smth., smb. draw round the table (round the car, round the fire, round the stranger, etc.) собраться вокруг стола и т.д..; draw on smb. draw on those in front (on the other runners, etc.) догонять /настигать/ идущих впереди и т.д..; draw to /towards/ smth. draw to an end /to a close, to conclusion/ подходить к концу; it drew towards night (towards evening) близилась ночь, вечерело, день клонился к вечеру2) draw (up)on smth. draw upon one's savings (on one's reserves, on one's capital, etc.) черпать [деньги] из своих сбережений и т.д..; draw on the bank брать деньги из банка; I have по resources to draw on у меня нет средств, на которые можно было бы рассчитывать; draw on the strength of smb.'s friendship черпать силы /находить поддержку/ в чьей-л. дружбе; when 1 was writing the book I drew on my memory (on my imagination, etc.) память и т.д. очень помогла мне в работе над книгой; he drew on his faith вера его укрепляла; in her grief she drew largely on her friends' sympathy сочувствие друзей придавало ей силы, чтобы справиться с горем: draw on smb. draw on him for help (on smb. for money, on one's friends for a loan, etc.) обращаться к нему за помощью и т.д..: он whom shall I draw for advance? кто выдаст мне аванс?3) draw for smth., smb. draw for places (for seats, for turns, etc.) решать путем жеребьевки, кому какое место и т.д. достанется; draw for partners тянуть жребий, чтобы определить партнера9. XVIII|| draw into oneself уходить в себя, замыкаться10. XXI11) draw smth. to (into, toward, over, etc.) smth. draw one's chair to the table (a table nearer to the window, a sofa toward the fire, etc.) пододвинуть стул к столу и т.д..: draw a curtain over a window задернуть занавеску на окне; draw a veil over one's face закрыть лицо вуалью; draw a hat (a cap) over one's face натянуть /надвинуть, нахлобучить/ шапку (фуражку) на лоб; draw a bed into a room втащить кровать в комнату; draw smth., smb. towards smb. draw smth. towards oneself пододвигать что-л. к себе; he drew her towards himself он привлек ее к себе, он обнял ее2) draw smth. from /out of/ smth. draw a purse from /out of/ a pocket вытаскивать кошелек из кармана; draw water from the well набирать воды из колодца; draw beer (wine) from a barrel нацеживать пива (вина) из бочки; draw coal from a mine добывать уголь из шахты3) || draw a bath for smb. налить /приготовить/ ванну для кого-л.4) draw smth. in smth. draw a prize in a lottery вытянуть счастливый билет в лотерее; draw smth. for smth., smb. draw lots for the game устанавливать путем жеребьевки, кто с кем играет или кто на какой половине поля играет; draw cards for a partner cards снять карту, чтобы определить партнера5) draw smth. from smth., smb. draw tears from smb.'s eyes исторгнуть слезы у кого-л.; draw a groan from smb. заставить кого-л. застонать; draw a confession from smb. вырвать у кого-л. признание6) draw smth. from /within/ smth., smb. draw a salary from a firm (an income from business, information from the newspaper. inspiration from nature, etc.) получать зарплату в какой-л. фирме и т.д.., she drew consolation from his presence она находила утешение в его присутствии; he drew strength from within himself он в самом себе черпал силы; draw a moral from events извлекать урок из событий; draw smth. on smth. draw a commission on a transaction получить комиссионные за сделку; draw smb. from smth., smb. draw the team from members of the club (members from all ranks of society, etc.) набирать команду из членов клуба и т.д.7) draw smth. from smth. draw an inference from his actions сделать соответствующий вывод из его поступков; draw different conclusions from the same facts приходить к различным выводам на основании одних и тех же фактов; draw smth. between smth. draw a comparison (a parallel) between smth. проводить сравнение (параллель) между чем-то и чем-то; you must draw distinctions between these two things между этими двумя вещами нужно делать различие, эти две вещи нужно различать8) draw smb. to smth. draw many people to the theatre привлекать массы в театр; draw smb. into smth. draw smb. into a conversation (into a conspiracy, into a conflict, into war, etc.) втягивать /вовлекать/ кого-л. в беседу и т.д. || draw smb.'s attention to smth., smb. (to the beautiful picture, to the shop window, to the strange man, to the pretty girl, etc.) привлекать чье-л. внимание к чему-л., кому-л. и т.д.., обращать чье-л. внимание на что-л., кого-л. и т.д..; draw smb.'s attention away from smth., smb. отвлекать чье-л. внимание от чего-л., кого-л.11. XXIIdraw smb. into doing smth. draw him into buying a new car уговорить его купить новый автомобиль; вовлечь его в авантюру с покупкой новой машины; draw the neighbours into helping them привлечь соседей к работе по оказанию им помощи; draw them into plotting against the president втянуть /вовлечь/ их в заговор против президентаII 1. Ican you draw? вы умеете рисовать?2. IIdraw in some manner draw badly (quickly, cleverly, etc.) хорошо и т.д. чертить или рисовать3. III1) draw smth. draw a plan (a diagram, a map of the area, etc.) начертить план и т.д..; draw a straight line провести прямую линию; draw smth., smb. draw a picture (a bunch of flowers, a portrait, a girl, etc.) нарисовать картину и т.д..; draw a word portrait дать /нарисовать/ словесный портрет; draw a brilliant picture of life in the country нарисовать яркую картону сельской жизни2) draw smth. draw a bill of exchange (a cheque) выписать вексель (чек); draw a sentence составить предложение4. XVIdraw in smth. draw in pencil (in ink, in water-colours, etc.) делать рисунок в карандаше и т.д..; he always draws in charcoal он всегда рисует углем5. XXI11) draw smth. between smth. draw a line between two points проводить линию между двумя точками: draw smth., smb. from smth., smb. draw a picture from nature (from a model, etc.) рисовать картину с натуры и т.д. ; draw a character in a novel from life (from observations and experience, etc.) нарисовать образ / создать персонаж/ в романе из жизни и т.д.2) draw smth. on smth. draw a cheque (a bill, etc.) on a bank (on his firm, etc.) выписать чек на банк и т.д. || draw a cheque to order выписывать чек на предъявителя -
4 trarre
conclusioni drawvantaggio derivetratto da un libro di taken from a book by* * *trarre v.tr.1 to draw*, to pull (anche fig.): trarre a sé, to draw to oneself; trasse a sé la sedia e sedette, he drew the chair towards him and sat down; trasse il denaro di tasca, he took (o pulled) the money out of his pocket; trarre a riva, to pull to the shore; trarre la spada, to draw (o to unsheathe) one's sword // (banca): trarre assegni, cambiali, to draw cheques, bills of exchange; trarre allo scoperto, to overdraw2 ( derivare) to draw*, to derive, to get*: trarre vantaggio da qlco., to derive (o to gain) benefit from sthg.; trae origine da una nobile famiglia, he comes from a noble family; trae ispirazione dalla natura, he draws his inspiration from nature; il regista ha tratto il film da un romanzo dell' 800, the director has based his film on a 19th century novel; trarre una conclusione, to draw a conclusion; non bisogna trarre conclusioni affrettate, don't jump to (hasty) conclusions; trarre il miglior partito da qlco., to make the best of sthg.3 ( condurre) to lead*, to draw*: la curiosità lo trasse qui, curiosity led him here // trarre in inganno, to deceive (o to mislead)5 (non com.) ( defalcare) to deduct: trarre le spese dal ricavo totale, to deduct expenses from the total proceeds.◘ trarsi v.rifl. to draw*: trarre in disparte, indietro, to draw aside, back; è molto timida, si trae sempre indietro, (fig.) she is very shy, she is always very retiring (o reserved) // trarre d'impiccio, to get out of a fix.* * *1. ['trarre]vb irreg vt1) to draw, pullsono stato tratto in inganno dal suo modo di fare — I was misled o deceived by his manner
2) (estrarre) to pull out, draw3) (derivare) to obtain, gettrarre beneficio o profitto da qc — to benefit from sth
trarre origine da qc — to have its origins o originate in sth
trarre un film da un libro — to make a film Brit o movie Am from a book
un film tratto da un romanzo di A. Christie — a film based on a novel by A. Christie
2.trarsi vr; trarsi da — to get (o.s.) out of
stai tranquillo che sa trarsi d'impaccio da solo — don't worry, he knows how to look after himself
* * *['trarre] 1.verbo transitivo1) (tirare) to draw*trarre qcs. a riva — to pull o drag sth. ashore
trarre qcn. in salvo — to rescue sb.
trarre qcn. in arresto — to place sb. under arrest
trarre qcn. in inganno — to deceive o trick sb.
trarre qcn. d'impaccio — to help sb. out of their predicament
3) (ricavare) to get*, to gain, to derive [ soddisfazione]; to get* [ sollievo]; to draw* [ispirazione, morale]trarre beneficio da — to (get some) benefit from [vacanza, cura]
trarre profitto da qcs. — to turn sth. to (good) account, to take advantage of o to make capital out of sth.
trarre piacere da qcs. — to (take) delight in sth.
4) (dedurre)trarre conclusioni da qcs. — to draw conclusions o inferences from sth., to make deductions from sth.
5) (avere)trarre origine da qcs. — to originate from sth
6) (indurre)2.trarre qcn. in errore — to mislead sb
verbo pronominale trarsi1) (mettersi)- rsi da parte — to step o stand aside
* * *trarre/'trarre/ [95]1 (tirare) to draw*; lo trasse a sé she drew him towards her; trarre qcs. a riva to pull o drag sth. ashore; trarre qcn. in salvo to rescue sb.; trarre qcn. in arresto to place sb. under arrest; trarre qcn. in inganno to deceive o trick sb.; trarre un sospiro di sollievo to sigh with relief2 (tirare fuori) trarre fuori dalla tasca una pistola to pull a gun from one's pocket; trarre qcn. d'impaccio to help sb. out of their predicament3 (ricavare) to get*, to gain, to derive [ soddisfazione]; to get* [ sollievo]; to draw* [ispirazione, morale]; trarre un film da un romanzo to make a film out of a novel; trarre il massimo dalla situazione to make the most of the situation; trarre beneficio da to (get some) benefit from [vacanza, cura]; trarre profitto da qcs. to turn sth. to (good) account, to take advantage of o to make capital out of sth.; trarre vantaggio da to capitalize on; trarre piacere da qcs. to (take) delight in sth.; da questo si può trarre un insegnamento there is a lesson to be learned from this4 (dedurre) trarre conclusioni da qcs. to draw conclusions o inferences from sth., to make deductions from sth.; non trarre conclusioni sbagliate don't jump to the wrong conclusions5 (avere) trarre origine da qcs. to originate from sth.6 (indurre) trarre qcn. in errore to mislead sb.II trarsi verbo pronominale2 (tirarsi fuori) - rsi d'impaccio to get out of a fix. -
5 contemplazione
f contemplation* * *contemplazione s.f. contemplation: trarre ispirazione dalla contemplazione della natura, to draw inspiration from the contemplation of nature; darsi alla contemplazione, to lead a contemplative life.* * *[kontemplat'tsjone]sostantivo femminile contemplation* * *contemplazione/kontemplat'tsjone/sostantivo f.contemplation. -
6 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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